Tech Specs: Once again, Fender issued three distinct variants of the Princeton amp during the Blackface era: the transitional “tuxedo” model, as well as reverb and non-reverb models in the new “Princeton” style.
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These amps, fondly referred to as the “lunch box,” were sold by the thousands to students and professionals alike.
Immediately popular for studio use, they also found favor from musicians playing small gigs.
The tuxedo was the result of the ever-thrifty Leo Fender wanting to use up the remaining “brownface” Princeton Amp chassis and cabinets.
Issued from mid-1963 to mid-1964, the tuxedo amps featured Blackface cosmetics, but were very snazzy looking with white barrel knobs.
Small, light and, like all Blackface Fenders, built like a tank, Princetons are a favorite of many guitarists (and harp players) for studio and live use.
Mic’d, they can be used even in medium to large venues.Beginning in late 1963 and continuing into mid-1964, Fender used up remaining old “Tweed style” Champ chassis and cabinets, but with Blackface cosmetics; Leo Fender was famously known as a skinflint when it came to minimizing production costs.After all, he was the guy who reused his styrofoam cup for coffee.Some players even fondly refer to their Deluxe Reverb as their “desert island” amp. Mic’d, they can be used on large stages and even fare well in outdoor concerts.Still, with this amp, you get a lot of oomph and versatility in a compact and relatively light package.The Princeton Reverb, on the other hand, has an extra 12AX7 preamp tube which gives it a more overdriven sound when the volume is pushed.